Composer Alex Turley has worked with all of Australia's major orchestras and collaborated with a diverse group of artists including Ali McGregor, Banks, Ben Folds, Dan Sultan, Electric Fields, Emma Donovan, Eskimo Joe, Genesis Owusu, G Flip, the Hoodoo Gurus, Ngaiire, Paul Grabowsky and Rüfüs Du Sol. In recent times he has been awarded a highly competitive Creative Leadership Fellowship from the Forrest Research Foundation, the Layton Composer Fellowship from UNSW, and won the position of Young Composer-in-Residence at the Melbourne Symphony Orchestra. Alex writes music that "ranges from pulsating energy to contemplative stasis" (Limelight), and has been premiered in venues such as the Sydney Opera House, the Sidney Myer Music Bowl and the Kennedy Center (USA).

Alex Turley (b. 1995) is a composer based in Australia. He grew up in Eora Nation / Sydney and Whadjuk Noongar Boodja / Perth.

Highly sought-after as a collaborative artist, Alex has worked with all of Australia's major orchestras and a diverse group of artists including Ali McGregor, Banks, Ben Folds, Dan Sultan, Electric Fields, Emma Donovan, Eskimo Joe, Genesis Owusu, G Flip, the Hoodoo Gurus, Ngaiire, Paul Grabowsky, Rob Thomas and Rüfüs Du Sol.

Alex was the Melbourne Symphony Orchestra's 2022 Young Composer-in-Residence, a position through which he was commissioned to create three new orchestral works. Between 2023 and 2025 he has been awarded a highly competitive Creative and Performance Leadership Fellowship from the Forrest Research Foundation with a research project focused on environment-driven collaborative composition. In 2024 he is also the UNSW Layton Emerging Composer Fellow.

Significant recent works include Mirage, a piece for brass ensemble designed to be spread out across the Sydney Opera House Concert Hall and commissioned by the Sydney Symphony Orchestra; and Agam, a fifty-minute long suite of three orchestral pieces developed in collaboration with South Asian artist collective Sangam for performance at the Sidney Myer Music Bowl.

In 2021, Alex travelled to Larrakia country to work on Barra-róddjiba, an orchestral collaboration with rock band Ripple Effect and Kunibídji elders of Maningrida for the Darwin Symphony Orchestra. This piece was written by sending sound files back and forth between Maningrida and Melbourne and was lauded as an "innovative cross-cultural performance" (Limelight).

Alex's orchestral work City of Ghosts, written for the Melbourne Symphony Orchestra when the composer was nineteen, was described as "an accessible, brilliant piece of music" (Atlanta Journal-Constitution) and possessing a "refined sense of texture and atmosphere" (Partial Durations), while the more recent chamber work Zero Sum Game was lauded as an "exciting aural landscape...alternatively driving and luxuriating, the young composer taking the compositional turns with ease" (Limelight).

Regularly working outside genre boundaries, Alex frequently works on projects which bring fresh ideas into traditional spaces. In 2022 his show with Electric Fields and the Melbourne Symphony Orchestra was described as an "effervescent, electronic neo-soul song cycle...sonically painted live by the limitless textures of the most profound musical organism" (Beat).

Alex completed a Master of Music (Composition) at the Sydney Conservatorium with a research project investigating diverse approaches to musical temporality. This followed undergraduate studies in composition at the Western Australian Academy of Performing Arts with a First Class Honours Thesis investigating the work of Toru Takemitsu. He is the recipient of the Henderson Postgraduate Scholarship from the University of Sydney, John & Margaret Winstanley Award from WAAPA, an Edith Cowan Excellence Scholarship, a finalist in the APRA AMCOS Professional Development Awards and in 2021 won the Arcadia Winds Composition Prize.