FOR 10 PLAYERS (ALTO FLUTE, RECORDERS, CLARINET, ALTO SAXOPHONE, TROMBONE, PIANO, PERCUSSION, VIOLIN, CELLO, DOUBLE BASS). COMMISSIONED BY FOREST COLLECTIVE. 10’.
Night day sea (2018)
For Treble voices and SAB CHORUS. Commissioned by KMEIA for the 2018 Kodaly National Conference. 5’.
Kusama's Garden (2017)
FOR Two pianos & electronics. Commissioned by Argo for the Viney-Grinberg Piano Duo. 12'.
BLUE HEAT (2017)
FOR Clarinet, piano & marimba. Commissioned by Intercurrent. 9’.
Train Window (2017)
Winner of the 2017 Penrith Symphony Orchestra Young Composer's Award. 10’.
for harp & electronics. Commissioned by Catherine Ashley. 7'.
Stars alone (2017)
for tenor & piano. Written for Louis Hurley. 8’.
Written for the Ku-Ring-Gai Philharmonic Orchestra. Also selected for performance by the Tasmanian Symphony Orchestra at the 2017 TSO Composer School. 6’.
SUSPENDED LEAVES (2016)
FOR baritone, CHAMBER ENSEMBLE & ELECTRONICS. Written for Soundstream Collective as part of the Emerging Composers' Forum 2016. 10’.
for alto flute, bass clarinet, harp, electric guitar, piano and percussion. Written for the Grey Wing Ensemble. 10’30”.
BETWEEN THE OCEAN AND THE SKY (2016)
FOR OBOE & PIANO. Commissioned by Jonathan Thompson. ADDITIONAL VERSION available FOR VIOLIN AND PIANO. 8’.
STAR MAP (2016)
FOR SOPRANO SAXOPHONE & CELLO. 7'.
CITY OF GHOSTS (2015)
Commissioned by the Melbourne Symphony Orchestra for CYBEC 2016. Also selected for performance in the 2016 Metropolis New Music Festival by the MSO conducted by Robert Spano. 10’.
CONCERTO FOR SAXOPHONE (2015)
FOR ALTO SAXOPHONE, harp, piano and 3 percussionists. Commissioned by David Gioia. 20’.
I am Sleepless (2015)
for tenor & piano. Written for Louis Hurley. 5’.
FOR trumpet & electronics. Written for Fletcher Cox. 9’.
for SATB or SSAA choir. Winner of Voyces ‘Aspire’ Competition 2014. 5’.
FOR SAXOPHONE QUARTET. Commissioned by Maverick Saxophone Quartet. 6’.
Written for the West Australian Symphony Orchestra for WASO Composer Project 2014. 9’.
FOR SAXOPHONE & PIANO. written for david gioia. 9’.
TO SEE A WORLD IN A GRAIN OF SAND (2013)
FOR VOICE & ELECTRONICS. 5’.
FOR flute, clarinet, horn, cello and piano. 7'.
Three Songs of Spring (2012)
For SATB choir. Commissioned by Naya Chorale. Appears on the self-titled debut album by Naya Chorale. 5’.
FOR SOLO CLARINET. 7’.
i carry your heart with me (2011)
for SATB choir. 5’.
electronic score, play directed by riley spadaro and presented by Nida and aca (sydney)
MINUS ONE SISTER (2018)
electronic score, play presented by salt and blue room summer nights, studio underground (perth)
do you have a moment to talk about vincent park? (2017)
electronic score, waapa performance art students, the Blue room theatre (perth)
by jacobus capone. electronic score. 24/SEVEN Screen, Lawrence Wilson Art Gallery, Perth, Australia
The colony (2016)
electronic score, waapa performance art students, the blue room theatre (perth)
waist deep in shattered glass (2015)
electronic score, waapa dance students, the dolphin theatre (perth)
what would poets say? (2014)
electronic score, waapa dance students, the dolphin theatre
la dispute (2013)
electronic score, modicum theatre company, stirling players theatre